Artists Research
The following artists have been used in particular for task 7 and 8, considering the two open works as a mini body of work. Gathering photos and identifying key qualities the artists works as sources of inspiration and research towards producing my work.
Caravaggio -
-
Dramatic Lighting: Caravaggios portraits are characterised by his innovative use of dramatic lighting, which creates shadows and highlights, adding dimensionality and intensity to the subject's features.
-
Dynamic composition: He frequently employed dynamic composition that draw the viewer's eye to the focal point of the painting, often the face of the subject while also creating a sense of movement and drama.
-
Contrasting textures: Caravaggio skilfully depicted various textures in his paintings, juxtaposing smooth skin against roughness of fabric such as silk, velvet, or wool, enhancing the tactile quality of his work.
-
Dynamic drapery: He masterfully depicted the fall of fabric drapery, capturing its fluidity and movement with precision, whether it's a flowing cloak, a billowing sleeve, or a cascading veil.
-
Symbolic use of fabric: Caravaggio used fabric to covey symbols of social status, occupation, or personality of the figure, adding layers of meaning to the composition.
​
https://www.britannica.com/biography/Caravaggio
https://blog.fabrics-store.com/wp-content/uploads/2020/04/Caravaggio.jpg
​
Sir Joshua Reynolds -
-
Classical influence: Reynolds was heavily influenced by classical art and ideals, often incorporating elements of classical sculpture and drapery into his portraits to evoke a sense of timelessness and dignity.
-
Idealised beauty: Reynolds had a penchant for idealised depictions of his subjects, using soft, flattering lighting and smooth brushwork to enhance their beauty and elegance.
-
Intricate drapery: Reynolds excelled at capturing the intricate folds and drapery of clothing, using subtle shifts in tone and shadow to convey the weight, volume, and movement of fabric.